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Q&A with Chanette Paul

We’re re-posting some of our author interviews that we’ve featured in our newsletter. Consider these just a little taste of all of the great things we send straight to your inbox every month. Keep up-to-date with all of the Catalyst Press goings-on by subscribing to our newsletter! We’re fun and our authors are amazing. It’s a win-win.

This Q&A is with author Chanette Paul. Her North American and English-language debut thriller Sacrificed was released in October 2017. The New York Journal of Books praised the novel and Chanette calling it “a page-turner that will keep you reading long past the moment the midnight oil burns out,” and hailing Chanette as “among the classiest thriller writers of our day.” We chatted with Chanette back in October right before the release of Sacrificed, a thriller fusing politics, race, and family drama. Read an excerpt here (PDF), and you can order the novel via our website or IndieBound. Continue reading “Q&A with Chanette Paul”

Q&A with Ahmed Ismail Yusuf

Earlier this month, we did a Q&A with The Lion’s Binding Oath author Ahmed Ismail Yusuf in our newsletter (What?! You don’t subscribe? Let us help: Subscribe here).

In advance of his upcoming Midwest book tour, we’re posting it here, too! Read on to learn more about Ahmed, his writing, and how books changed his life. Continue reading “Q&A with Ahmed Ismail Yusuf”

Jessica Powers at the TLA Conference

If you’re in town for the Texas Library Association’s annual conference two things are true: one, you’re going to see so many amazing books and authors; and two, you’re going to have several opportunities to see Catalyst’s own Jessica Powers. This time, she’s taking off her publisher hat (well, pushing it slightly to the side) to make room for her author’s hat. She’ll be signing copies of her newest book Broken Circle (Akashic Books), and generally being awesome at a couple of talks.

On Wednesday, April 4 she’ll be signing books at the Ingram Librarians Party on Wednesday night from 5:30-7 (The Underground at Frankie’s Downtown 1303 Main St. Dallas, TX 75202). On Thursday April 5, she’ll be at the afternoon Texas Tea with the Authors at the Omni Hotel. And, on Friday, April 6 she’ll be on a panel (CPE#531: SBEC 1.0) “The Language of Dreams: Fantasy Fiction for Young Adults” from 10:30 – 11:30 am.

Stop by any of these. Say hello and don’t be alarmed by the sheer number of hats she’s wearing (at last count—author, publisher, editor, publicist…).

 

 

Check Your Mailbox! Shaka’s on the Way!

Pretty soon, a whole bunch of you will be walking to your mailboxes, and there, tucked between a magazine, grocery store flyers, an electric bill, and all of the other assorted things that show up in the mail these days, will be something we’re super proud of—a copy of Shaka Rising. Through your support and generosity, we were able to fund our Kickstarter project and get started on the next installment of our African Graphic Novel Series. It’s all because of you.

When we joined forces with the good folks at Jive Media Africa to form the imprint Story Press Africa, it was because we wanted to share all the wonder, the excitement, and the richness of African history and knowledge. Historical figures like Shaka have a lot to tell us about, not just African history, but about our world, and we’re thrilled to share it with you.

A lot of people made this happen. A lot of people cared about sharing Shaka’s story with their kids, their libraries, and their communities and that’s why we made our goal—people like you supported this brand new thing we’ve started. Shaka Rising is the first in a long, long line of African Graphic Novel from Story Press Africa. We’re just getting started and we’re so happy to have you along for the ride.

Thanks for believing in us and the work we’re doing! If you like Shaka Rising, be sure to spread the word! Leave a review on Amazon, Goodreads, your website, or in some sort of elaborate semaphore (if you pick semaphore, please send a video. We’d love to see that). Let your schools, libraries, and community groups know that you got your hands on an awesome graphic novel that’s teaching African history in a fun and accessible way, and that they should get in on it, too. Basically, tell everyone you know that Shaka Rising is here and that because of you, a second installment is on the way.

A big THANK YOU to all of you who donated to our campaign, and be sure to keep watching to see what’s next for us! An especially huge thanks to our partners at Jive Media Africa!

Many thanks to our donors:

Einar Petersen
Mary Fountaine
Emily Dietrick
Ntsike
Anonymous
Erin Subramanian
Jamil Burns
Paul Glasser
Ray “Raytoons.Net” Mullikin
Noel Mills
Chandra Orrill
Shean, Semeicha and Sapphira Mohammed
Robert L Vaughn
Tinsley
Lisa Jensen
In honor of Michael Kromberg
Mary Puthoff
Tessa Moon Leiseth
Peter LaPrade
The Spitzers
Rosie Tullis-Thompson
The Briar Patch
Nate Gillespie
Maureen Babb
Rico Schacherl
The Bells
Mark Gunter
Rachel
Matt Powers
Kathy Shepler
Alberta Jackson
Catherine Ndungu-Case
Assembly of Literatures for Adolescents of NCTE
Derek W.
Matty Sankauskas
Anonymous
Dennis and Becky
Helen Musselman
Edi
Glynnis Belchers
Justin
Kathleen Shannon
Sarah
Scott
Scott Mitchell Rosenberg and Platinum Studios

 

Help Us Bring the Next Chapter of Shaka’s Life to the Page

Happy New Year, everyone! It has been a really busy, really exciting 2017 for us here at Catalyst. We’ve done a lot of learning, growing, and building this year and we can’t wait to keep bringing that energy into 2018.

As the year begins, we find ourselves right in the middle of a Kickstarter campaign to bring the second volume of Shaka Rising to life, and we’d love your help. Check out our project to learn more about our plans, and while you’re there make sure to take a look at some of the fantastic rewards we’re offering to our donors. We’d love to be able to send you one of those. Also at our project page, Catalyst founder Jessica Powers has written a few words about her life and why this book, this project, and this press mean so much to her:

When I was growing up on the U.S.- Mexico border, there were no books that reflected the reality of my life. I read Laura Ingalls Wilder avidly, to the point where I grew my hair past my waist and only wore dresses. I wanted to be a pioneer girl. Anything was better than the desert town I lived in!

Then I discovered Anne of Green Gables, and all the companion books, and I desperately wished I was Canadian, and perhaps an orphan, growing up on the lush, mysterious, wild island of Prince Edward Island. (As an aside, I visited as an adult and was disappointed that it was basically farmland, with potatoes being the main crop.)

As a kid, I looked around at my neighborhood and it looked to me like nothing more than a dusty desert town of broken down trucks. I didn’t see the magic of migrant workers who passed our house, sometimes several times a day, following the power lines from Mexico to the chili fields of New Mexico. I didn’t understand the musicality that the lilting Spanish I heard every day was infusing into my language. I didn’t realize the way Mexican culture had surrounded and gentled the harsher white Anglo culture that gave birth to my parents.

As a young adult, I bumbled my way into understanding the beautiful gift I had been given: that, instead of the invisible privilege many white children of America are born into, I had grown up witnessing daily the cycle of death and rebirth that accompanies the immigrant experience, the grace that is embodied in failure and the willingness not to let that crush you but to get up and try again, and–not to romanticize anything–the emotional and physical violence that accompanies the harsh reality of poverty. The experiences of immigrant families weren’t abstract experiences. I saw it in my friends’ families and the families of boys I had crushes on and with people at church.

Perhaps even more pertinent, I grew up as a minority. I was a white child with parents from Iowa and South Dakota but almost everybody I knew was Mexican or Mexican-American. Everyday life meant reaching outside of my own home culture. It meant, too, that I was enveloped in another culture to such an extent that to this day it feels like home. And it meant that I’ve always been interested in the ways that race, culture, belief systems, and immigration impact nations and their histories.

Read more about Jessica’s (and Catalyst’s!) story over at our Kickstarter page.

Notes from NCTE

NCTE was held in St. Louis this year. The view wasn’t so bad.

November was a busy month here at Catalyst/Story Press Africa HQ. Our authors were shining at other blogs and getting stellar reviews for their great work. Meanwhile, our publisher, editor,  and general get-things-done-er, Jessica has been pretty busy, too. She’s been donning her cloak (she switched the cape out for it) at readings and conferences across the country in promotion for her new book, Broken Circle (Akashic Books), with (of course) a healthy dose of Catalyst thrown in.

The sibling duo at this year’s NCTE conference.

 

Most recently, Jessica and her co-author (her brother Matt) were at the National Council of Teachers of English (NCTE) conference and the Assembly on Literature for Adolescents (ALAN) in St. Louis. Jessica presented on books and social justice at NCTE, and the duo were also being awesome on a panel at ALAN. And two of our books, We Kiss Them With Rain and Shaka Rising were presented in front of nearly 600 educators at ALAN.

And you know what? You know why we do this thing we do? Why we play with words, arranging and rearranging them, turning them over, just to make sure that for a minute, for a page, for a paragraph, for a sentence someone gets to find themselves in book? I could tell you, but I think Matt said it way better than I could on the panel.

In recounting his struggles with reading as a child and how much teachers, storytellers, and people who love literature can make a difference in helping a kid see themselves in words, Matt (beautifully) said:

“In your classrooms, you are a family. You can help give kids who need it an identity, a story of themselves, that helps them make it.”

That’s why we do it. Every reader was that kid once, and maybe still is. Each of our books, from the darkest crime novel to an educational graphic novel, is about reaching a reader.

One thing I’ve always loved is hearing one of our authors, Martin Steyn (Dark Traces) talk about what got him into writing. It was reading Stephen King and losing himself in that world that made want to create that feeling for someone else. It’s unbearably cool that we get to do that here, that we get to share stories and let storytellers do their thing.

Story Press Africa in the Publisher Spotlight Booth at NCTE.

Chanette Paul Guest Posts at Crime Thriller Hound

Chanette Paul’s newest release, the continent and era spanning thriller Sacrificed was featured as the book of the week at the site Crime Thriller Hound, a site promoting “the best in crime and thriller fiction.” She was also invited to write a guest post for the site on her experiences of writing and place.

Some highlights:

On writing about Belgium:

Once I started writing, it dawned on me that I wasn’t so much a novelist attempting to set a story in a foreign European country, but rather a novelist from Africa writing from an African perspective.

On bridging the gap between South African and foreign readers:

The historic and political context needed clarification to an international audience without stunting the flow of the story –which is difficult enough – but I also had to avoid boring my South African readers.

On writing about her home:

I learned to look through intercontinental eyes and rediscover the mystery and uniqueness of the continent I live on and love.

Head over to Crime Thriller Hound to read her full essay

#WritingCrime Wrap-up

On October 10, we hosted a Twitter conversation between Brussels Noir editor Michel Dufranne ( and our own Chanette Paul (). These two great writers were talking all things #WritingCrime. We’re hoping that this first of many author conversations we host. If you missed their chat, here are a few highlights:

On what makes Belgium such an intriguing setting for their work:

SacrificedChanette: As my Mom was Dutch I’ve always had a great interest in the Low Countries and understand the language. That made it easier to try and figure out how Belgians think, how they see the world. The parallels between the Belgian Congo and South Africa’s apartheid years made a perfect background for my story. The parallels between the Belgian Congo and South Africa’s apartheid years made a perfect background for my story. South Africa’s current problems strongly echo the consequences after the Belgian Congo became independent.

Michel: Brussels is a concentrate of diversities: a city as large as a village, 1 million inhabitants capital of EU and NATO, a French-speaking city in the heart of Flanders, a city made up of a multitude of communities. Like any cocktail the mix can be indigestible and explosive. Perfect for

On bringing social issues into crime writing:

Chanette: I want to entertain, not to educate. If something can be learned from my books it is a bonus. However, it would please me if Sacrificed gives insight into the complicated and conflicted life we live in South Africa/Africa. If it draws attention to the grey areas between white and black, good and evil, good intentions and bad intentions.

Michel: [I’m tired] of hearing the international media say “Brussels decided…” Brussels can’t be summarized in its role as the capital of the EU. Brussels is my city. Brussels is complex.

On love of place:

Chanette: Sacrificed explores to a great extend how one can still deeply love a country that has turned inside out. How you can love a country that has been become so dangerous the free live barricaded behind bars? But it also explores what happens when one feels a country has been stolen from you, how you view descendants and accomplices of the thieves that stole your country and mistreated its inhabitants. It explores one’s inexplicable emotional entanglement with your place of birth.

Michel: I have the right to criticize my mother, but anyone who wants to criticize her must be wary because I will defend her!

On Diversity in Crime Fiction and Beyond

Michel: It’s a recent and social fight. Most of the time heroes are white people. For young readers some projects integrate more diversity of society (e.g. Seuls), but it’s the same for all “archetypes;” There’s no fat heroes, there are few women…

Advice for young female writers entering the genre:

Chanette: Be brave! Write and believe in yourself and what you have to say.

————

Sacrificed is available for purchase now at Amazon and IndieBound. Visit Akashic Books for more information on Brussels Noir, and their entire Noir series.

 

 

 

Jessica Powers Interviewed by Literary Ashland

Check out this great interview with the awesome publisher/editor/writer/teacher/have we missed anything? Jessica Powers over at Literary Ashland! Some highlights:

On choosing the name Catalyst:

Books are my friends, my mentors, my spiritual advisors and my spiritual practice, my intellectual stimulation, my downtime. I believe strongly in the power of books to change individuals and, by changing individuals, to change communities and institutions and perhaps even nations. So I do see my books as a “catalyst for change,” specifically, change in mindset, values, and understandings of North Americans & Europeans towards Africa and Africans.

On leaving academia:

When you have a real passion for research and writing academic articles and books, then those expectations don’t feel like a burden—but for me, they were a burden. I was grateful for my time there and very grateful for the mentors I had, but I felt freed upon leaving—freed to do what I am really called to do in life, which is to write, and also to help others write.

On what she looks for as a publisher:

I want to publish and read books that are fast reads, on the one hand, but layered with multiple and complex meanings.

Check out the complete interview at Literary Ashland.

Women in Translation Month, Futhi Ntshingila

We’ve loved seeing all of the awesome women being spotlighted as part of this year’s Women in Translation Month. Such an incredible and diverse group of writers. We’d like to introduce you to our own writers who are working in translation. You can read our first post here. Continue reading “Women in Translation Month, Futhi Ntshingila”